Posts Tagged ‘Carnegie Hall’
So as many of you have probably heard, dance-pop superstar Lady Gaga’s July 25th performance at the Toyota Center sold out within…hours, I think. It’s no secret then that Houstonians are gaga over the 23-year-old singer/songwriter with a flair for theatrics. Not to worry, though, since the famed artist added another date on July 26th for an extension of the Houston portion of her “Monster’s Ball Tour.”
But what of fanatics are clamoring for Houston Symphony tickets? I know what you’re thinking…”C’mon, that doesn’t happen with a Symphony concert,” you say. Well, although we haven’t yet had a sell-out a la Gaga, I’d say the Symphony’s experienced its share of a ‘Gaga Effect’ of sorts this season.
Our four sold-out January performances of The Planets—An HD Odyssey (and praised performance in New York’s Carnegie Hall) resulted in a series of concerts to be unmatched in the Symphony’s history. And it’s these performances that have inspired the addition of a fifth concert this summer (only a week before Gaga’s concert, in fact. Hey, nothing prevents you from catching two concerts in two weeks, right?!) Be sure to attend The Planets—An HD Odyssey plus Star Wars this summer for a taste of what Houston concert-goers have dubbed a true hit, with the addition of all-time favorite John Williams music from the legendary Star Wars movies.
In fact, we’ve just announced our 2010 “Symphony Summer in the City” concert series, which will also feature Distant Worlds: music from FINAL FANTASY. Within hours of the announcement, Final Fantasy fans were on our site clamoring to get the best tickets in the house, together with an exclusive meet-and-greet opportunity with composer Nobuo Uematsu. I think I may smell a sell-out. Houston – let’s make it happen!
But back to Lady Gaga. If you’re a fan, you’ll enjoy an interesting synergy with our third “Symphony Summer in the City” concert. Gaga nicked her name from Queen’s song “Radio Gaga,” and has gained inspiration from the British rock band described as giving the greatest live performances ever. You’ll not want to miss the Houston Symphony performing The Music of Queen on July 22.
Hear singer Brody Dolyniuk, who captures the sound and essence of Freddie Mercury, while the full orchestra and a rock band provide the power and harmony for a complete concert experience, including concert lighting and sound. This concert will feature music from albums such as Classic Queen, A Night at the Opera, Sheer Heart Attack, Jazz, News of the World, A Kind of Magic, The Works.
Houston, when was the last time you went ‘Lady Gaga’ over concert tickets? We want to hear about it. Leave a comment to share your story, and the writer of the best comment will win two tickets to their choice of one of our July concerts.
Dear Dan Rather,
To everyone else who came, THANK YOU SO MUCH, too!!! Our Carnegie concert was such a success because of you!
Friday, we all flew down to Fort Lauderdale, Florida, exchanging freezing sidewalks for balmy beaches! Our first concert on Saturday evening was at the Kravis Center in West Palm Beach. There was a very large turnout, the audience was incredibly sincere and not without sense of humor. There was hearty chuckling before the movement Saturn (Bringer of Old Age), and Uranus (well, how do you say it?).
Our final concert was Sunday evening at the Broward Center in Fort Lauderdale. Again, incredible turnout, even larger than WPB. Very enthusiastic audience. More chuckling before those two movements. (Isn’t it said that we all revert back to our childhood as we age?)
Overall, both Florida performances were huge hits. Our entire tour was a huge success! Going on tour, wherever it may be, is so critical for the health of a major symphony orchestra. To be able to share and spread our art and love of music increases our fan base, and garners more international support. Touring is beneficial for the Houston Symphony, and also for a thriving, expanding, globalizing, prospering city such as Houston. Not only do we represent ourselves, we also represent the city in which we are located. I hope we may continue to tour more, as we have done in the past, in the future.
Many thanks and shout-outs to people, without whom this tour would be impossible. Thanks to everyone on the Houston Symphony Board and Administrative Staff for organizing and arranging everything. Thanks to HS management for taking such good care of us on the road (thanks Steve for letting me use your laptop!). Big, big, thanks to the HS stage crew (Donald Ray!!! Kelly!!! Cory!!!) for being so awesome and magically switching the stage at least three times a night. Finally, big thanks to Mario of Mario’s Catalina Restaurant for serving the best Cuban food… and Mojitos…
Now — home sweet home! I’m going to relax and watch one of my favorite movies, Tampopo.
This past Thursday evening, I performed at Carnegie Hall for the first time. What a life-changing experience! There was such incredible energy amongst the musicians, the crew and staff, and (walking through the front lobby before the concert) the audience. I was thrilled to step onto the stage and look out to a packed house, and I was thrilled to see this packed house jump to their feet at the conclusion of our performance. Their enthusiasm was overwhelming, and I was so proud to be a member of the wonderful Houston Symphony, whose hard work and effort was most deserving of this positive reaction.
There is a reason why it is such an honor to be presented by Carnegie Hall – it is one of the greatest concert venues in the world. The acoustics were absolutely incredible. A colleague of mine in the symphony told me the moment she stepped onto the stage and heard the clicking of her shoes reverberate throughout the hall, she knew right away how amazing it was. The acoustics were completely different from anything we experience in Houston. It was so easy to hear myself play, and it was so easy for me to hear all of my colleagues play, which made it so easy for all of us to play together. The easier it was to play together, the better connected we felt with one another, thus creating a more unified, musical experience.
It is such a powerful feeling to create beautiful music. It is even more profound to share this beautiful music with our audiences. I want people who come to our concerts to have an enriched, *meaning-filled* experience. I would like them to walk away from a concert feeling… just feeling… anything. Whether it is a feeling of satisfaction, intensity, or curiosity, or whether they learned something or were inspired, I just want them to be affected. Playing in an acoustically sound hall impacts everyone, it benefits everyone, and I feel we achieved this during our performance.
I hope that more people realize the importance of having a great classical music hall, especially in cities they truly care about. To be able to have access to emotional, powerful, beautiful music is artistically, culturally, and humanistically beneficial for communities. As cliché as it sounds, I firmly believe that music is a unifying force that brings people together, and for me that is the ultimate goal.
Getting off my soapbox, and into bed for a good night’s rest. One last concert tomorrow evening, our final evening in Florida. Stay tuned for exciting stories about the Florida leg of our tour in my next post!
Dan Rather, native Houstonian, was spotted at our concert!!!
Can you imagine that in 1960, Carnegie Hall was almost demolished to be replaced by an office tower??? Thank goodness for Isaac Stern.
Glenn Taylor, the Symphony’s Senior Director of Marketing, also took the trip up north and sent in photos and his personal take on the experience. Keep an eye out for more posts from Glenn in the future!
As I and 50 or so musicians began to board Continental flight 40 Wednesday morning, I wondered what would keep me occupied for the 3 hour trip to Newark airport. I was filled with excitement to be accompanying the orchestra to Carnegie Hall, but the plane ride itself … ehhh. The most I was hoping for was a smooth ride, to catch some zzz’s and get a bit of work done. Well, and that the provided in-flight snack would be yummy in my tummy of course. (Turns out it was a chicken wrap… not bad, Continental!)
Then the real excitement would begin once we got to New York and Carnegie, right? Well, not exactly.
Not that anything bad happened with the flight. It was a nice flight. But something occurred that I didn’t expect … a wonderful connection was made, and I ended up learning more about the behind-the-scenes life of a Symphony musician than I ever have done hanging around backstage at Jones Hall.
I had the pleasure of sitting next to Ellie Herrera. Ellie’s a cellist in the orchestra, but we had never met before. Even though I’ve been working with the Symphony for almost 6 years now, it’s not uncommon to still not know everyone in the orchestra. We both looked at each other and said “Are you here with the Houston Symphony tour?” … “Yes.”
Turns out that Ellie’s a substitute cellist, but has been playing with the orchestra for a full season or two now. Her connections to the Houston Symphony go deeper than that though. Her father was a violinist, and had moved their family from England to Houston back in the late 70s to take a job as Co-Concertmaster with the orchestra. (How cool!) You can still hear Ellie’s British accent, albeit a bit hidden now behind her Houston Texas dialect.
Ellie’s mom wasn’t a professional musician per say, but also had ties to music through her love of playing the piano. And she was supportive of her husband’s music career. Ellie told me that the last time her mom went to Carnegie was to hear him perform with the Houston Symphony. Now, her mom has come along again to New York, but this time to hear her daughter perform with the Symphony. (Again … how cool!) That history and legacy with the orchestra and Carnegie is a neat backdrop to the entire experience this week. And imagine all the other similar connections and stories that may exist with every musician in the orchestra.
Back to the plane. After 3 hours of sharing back and forth with Ellie about our respective families, the environment, favorite Houston spots, and other randomness … we realized the flight was almost over. I don’t think I’ve ever spent an entire flight in discussion with the person next to me. I feel privileged that I could get to know one of our amazing musicians on that level. And now we’ve agreed to meet with our respective spouses at a Houston farmer’s market sometime soon. Turns out this cellist goes green. Nice.
The orchestra has just landed in Florida and is now gearing up for their next two performances–Saturday at the Kravis Center and Sunday at the Broward Center. Stay tuned for more updates–including a recap of the concert at Carnegie Hall!
After a beautiful, snowy morning here in New York City, the Houston Symphony finally took to the stage of Carnegie Hall this afternoon for a quick rehearsal before tonight’s concert.
As Assistant Conductor, when I’m not on the podium myself, my job is to do anything and everything musically necessary in rehearsal to support Hans and the orchestra’s work onstage. One of those jobs is to be an extra pair of ears out in the hall, especially when we’re on the road, playing in a venue other the Jones Hall. Orchestras get accustomed to playing in their “home hall,” and a different hall—no matter how great it is—takes some adjusting. Every hall is different, and responds in its own, unique way to the sounds coming from the stage. Helping to make sure that everything is balanced the way Hans and the orchestra want and are accustomed to takes some serious, in-depth listening, first at home (so you know what you’re listening for), then on the road (comparing it to our “home sound”).
One extra wrinkle in this program is that not only do we have our orchestra onstage, but we also have our women’s chorus offstage to sing at the end of “Neptune” in The Planets. First and foremost, we have to ensure that they can be heard in the hall and that the aforementioned balance is satisfactory; in order to achieve that, the chorus’s actual physical placement changes from hall to hall. Because every backstage area is different, finding a place where the chorus can both see and hear everything they need is always a challenge. Here at Carnegie, the chorus is in a tiny alcove (no bigger than the living room of my Montrose apartment back in Houston) just offstage right. In more ways than one, our chorus is definitely growing closer on this tour!
Sometimes assisting Hans and the orchestra takes a different shape altogether. After rehearsal proper finished this afternoon, Hans and the cello section stayed to work on an interlude in the Dutilleux work that we’re playing this evening. There’s also a small celesta part in this interlude, and as our principal keyboardist Scott Holshouser had already left the hall, Hans had me play the part…thus marking my inauspicious onstage Carnegie Hall debut!
Now that we’ve got orchestra and chorus balances adjusted to everyone’s liking and the sound of Carnegie in our ears, we’re ready for tonight’s concert. Then we start all over again on Saturday for the first of two concerts (in two different venues, no less) in Florida. Thus the lives of touring orchestras!
Hey everyone! I am writing from New York City, where we kick-off The Planets–An HD Odyssey tour. After an amazing and successful weekend showcasing The Planets program to our local Houston audiences, there is no rest for us yet. Must, keep, momentum, going! I am really looking forward to performing in Carnegie Hall on Thursday night (guess all of my practice, practice, practicing paid off?), especially since this will be my very first time doing so. Going on tour is always an exciting experience – the musical preparation; the scattered trunks, traveling cases, and organized chaos backstage; the anticipation of traveling out-of-town; the allure of the cities to which we travel.
We officially start the tour schedule Thursday afternoon with a sound-check at the hall. I decided to travel a few days early to NYC since I love coming here to visit family and friends, explore museums and shops, visit the not-so-secret best-kept-secret establishments, ride the subway…
Most of all, I love coming here to EAT.
Of course, pizza is a requisite part of one’s NYC gastronomical experience (I highly recommend the balsamic onion and goat cheese pizza at Otto Pizzeria on 5th Ave. Goat cheese, need I say more? Also, the Margherita pizza at Ray’s on Prince St. is quite tasty). Upon arrival to the city on Monday evening, though, I couldn’t help but notice all the ramen restaurants that have taken over lower Manhattan. Was this my calling? I felt strangely compelled to make ramen tasting my new epicurean mission (after bacon-y dessert making. I’ll explain later). Tuesday, lunch and dinner, was devoted to eating ramen. All different kinds of ramen at all different kinds of places. The good, the bad, and the “shi shi”. It sounds overwhelming, but I did have help splitting bowls and received lots of motivational encouragement (thanks EMP). Still, at the end of the day, I came to the realization, I had basically just eaten carbs all day.
In my defense, that is what we musicians do. We eat. We store up energy. To me, it is a necessary component of our extremely physical livelihood. Without sustenance, it would be impossible to move our arms up and down, wiggle our fingers, flail about, stomp our feet, do what is physically necessary to produce the sounds of music and enhance our art. That’s my story and I’m sticking to it. (Watch another example of how one artistically utilizes carbs).
How did I get to Carnegie Hall? I ate my way here.
Next post, my very first Carnegie Hall experience! Next stop, Florida!
We’d like to introduce you all to Meredith Williams–the first of our Symphony staffer bloggers! Meredith is still considered a newbie (as many of us are by comparison–you wouldn’t believe how many people have been here 10, 20, even 25+ years!), and is the assistant to our general manager. She’s been the go-to gal for everything related to this week’s tour to New York City and Florida, and wanted to share a little bit with you all about the planning that went into it.
Surely everyone in Houston felt the excitement that radiated from Jones Hall this weekend! It was difficult to not get pumped about the Planets concert series. I’ve only worked here at the Houston Symphony for 10 months, and I cannot recall a single day when the Operations and Production staff has not discussed or worked on The Planets – An HD Odyssey. It amazes me that for some members of our staff, this weekend was the culmination of years of dedication and work. Despite our successful weekend, our department has not quite celebrated – we aren’t done yet. In case you had not heard, we’re taking it on the road.
As I mentioned, I’ve only been a staff member a short period of time. In this brief period, I have had two major projects. The first was to schedule ground transportation for the Simon Bolivar Youth Orchestra of Venezuela back in April. (Why is that a major project, you ask? Well, that is a story for another blog…) The second project, and what I have considered my baby for the past seven months, is this tour.
In June I found out that I was to be the “Unofficial Tour Travel Agent and Schedule Coordinator.” Since then, I have booked 150+ flight reservations, over 200 hotel rooms, and 30 buses to accommodate all of the musicians, staff and guests that will be traveling between Houston, New York and Florida. On the surface, booking travel arrangements is not a huge project, until you realize just how many people and details are involved. I’ve had many hurdles and obstacles since I landed in the post of unofficial tour travel agent. There were days (like the day we realized the Pro Bowl is in South Florida the same weekend we are in South Florida) that I wanted to pull out my hair and scream “REALLY?!?” at the top of my lungs. However, I’m not whining. In fact, as I sit here in my little cubicle under the stage of Jones Hall, I am quite happy to know that I played a part in helping the Houston Symphony (literally) get to New York and Florida.
The weekend was amazing, but the excitement is not over. The orchestra officially left this morning to fly to New York and perform on that great stage known as Carnegie Hall. Then, they’re flying to the sunny shores of Fort Lauderdale and West Palm Beach to play for NASA’s Cape Canaveral neighbors. I wish I could see it in person, but I know that this tour will be a huge success and will make Houston proud.
You didn’t think we were going to leave you hanging, did you? Violinist Kiju Joh, Assistant Conductor/American Conducting Fellow Brett Mitchell and others are going to be blogging from the tour—so keep an eye out to read the latest updates!