Inside the Houston Symphony

Taking you behind the music–one concert at a time!

Are you Classical or are you Pops?

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Music Director Hans Graf

So, as I understand it, this blog is meant to put the reader inside the Houston Symphony team, so you can see what we are all about.  It is with that in mind that I write the following …

I have been with the Houston Symphony for about 6 months as the Director of Marketing, Subscriptions.  Before that I worked at another arts organization that shall remain nameless.  Now, while I am a person who does not listen to classical music in my down time, although I will admit that I own and listen to the Mozart Makes You Smarter CD, it has been a part of my life since I was a young girl.

My family is very musical.  My grandfather was the tenor in a barbershop quartet, and both of my parents played instruments in high school and college.  My dad started out as a piano major in college, but switched to an engineering degree once he realized the implications of being a “starving artist.”  And while all of my siblings have ended up in the arts in some way, I went the musical path and went to college to be a music major.  I studied classical music, and became familiar with much of the beautiful repertoire the Houston Symphony plays.  While I was not an instrumentalist, but a vocalist, I spent many semesters in Music History classes, instrumental recitals given by friends and countless hours of sitting in darkened theaters listening to the instrumental classical repertoire.  I will admit, to the disdain of many classical music enthusiasts, that it was not my first choice in musical genre.  Yes, my goal from the very beginning was Broadway.  I wanted to be in Musical Theatre so bad, I could taste it!

So why in the world was I accepted to the very prestigious music school that did not have a single musical theatre class instead of the school that was renowned for that very thing?  Turns out I don’t have the Broadway voice that I coveted, but was very well suited to singing classical music.  So that is what I was taught.  It was an extremely rewarding experience in my life, and I still sing classical repertoire.  But, like my father, I believed my talent was not to the point that I could be anything other than a “starving artist.”  And that is what led me to go into the business side of the Performing Arts.

So, to finally get to the point, I ended up with a strange inner struggle between my love and devotion to Broadway and my admiration and respect for the caliber of music in the classical world.  The good news is I am able to really identify with both the classical and the pops genres that are the Houston Symphony products.  I was not surprised to learn that most people usually drift toward either the classical or the pops side, and I am some sort of hybrid because I like both.  I feel a kinship with those subscribers who have both the classical and the pops series, few though they may be.

Principal Pops Conductor Mike Krajewski

In the marketing world, we try to identify what motivates both the classical and pops buyers.  I find it extremely interesting that the patrons for those two genres are motivated differently.  It is an amazing challenge to try to touch the right points with each potential patron depending on the genre of music they are more likely to have an interest in.  Even though I have only been with the Symphony for a short time, I have the feeling that this challenge is going to be a part of my professional career here for a very long time.  It is one thing I enjoy about the work so much.  My colleagues and I have a hunger to learn about our patrons and what is relevant to them.  What drives them to like one type of music over another, and ultimately, how can I reach them with a message they will act on?  How do I know that one particular person will respond to a concert like Beethoven’s Eroica Symphony versus a concert like Broadway Rocks!?  There are several ways we have identified so far, but I am determined that I will always be asking this question, and always seeking more answers.

In the end, the Houston Symphony has both products, plus several others like the Family and Summer Concert Series’, so we can reach out to the entire city, and hopefully have something everyone will enjoy.  Music is so important, and to be a part of an organization that reaches such a variety of musical tastes is extremely rewarding to me.  Now, on to my challenge of reaching the masses with our message of “We have something for YOU” in a way that is relevant and meaningful to them, and will hopefully lead to more people coming to the Symphony.  We have built it!  Will you come?

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Written by Allison Gilbert

April 5, 2010 at 9:33 am

One Response

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  1. Fantastic blog! Maybe I WILL come to the symphony.

    Nina G.

    April 7, 2010 at 7:32 am


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